WHAT IT’S ABOUT:
Right, it’s official: I’m giving up my dream of gradually taking over the planet by being the world’s most efficient paper-pusher and applying for a job at The Asylum. I want to earn my living by spending my days high on crack and writing stories, because I’m pretty sure that’s what happened before the cameras started rolling on 12/12/12. Even by Asylum standards this was horrid, and whoever was behind it doesn’t seems to have even the foggiest idea about how anything in the world actually works. That being said, I watched this alone, and if I’d seen it with my elite squad of movie watchers I think it could’ve been a lot of fun. So, dear reader, grab a seat, grab a beer, grab your crack pipe, and let’s get this review on the road.
Everyone gather round and meet Veronica. Veronica’s in terrible pain – she’s about to have her first child delivered by the country’s most inept team of doctors. I guess this is what one should expect when you decide to have your baby in an emergency ward that has a park bench outside it and an entrance that looks like some dingy club’s back alley. Not that Veronica notices; she’s too busy screaming out in pain / orgasming in her vain attempts to give birth. The doctors can’t decide what to do, and baby daddy Carlos seems to think that the best plan of action is to lunge violently at every nurse that comes his way. After a lot of comings and goings the very independent baby climbs out of Veronica’s womb and promptly attacks, strangles, nibbles and kills the entire surgical team. One might think that this would be cause for alarm, but mommy’s tired and doesn’t seem to think much of it.
Things seem to be going OK until Veronica and Carlos bring little Sebastian home. Sebastian looks a bit like Baby Sinclair from Dinosaurs, but this again raises no concerns from his parents. Despite only being 6 days old he also tends to bite a lot with his razor-sharp little teeth, is quite capable of crawling on his own, and has this bad habit of compelling people to do terrible things via telepathy. Things like making his dad drink water from a kettle that’s just boiled, or making the delivery boy slit his own throat open. Sebastian’s taken into child protection after the death of Carlos and Veronica goes to stay with her sister, vowing revenge upon the government for trying to protect the country’s children from harm.
At some point our characters make the transition from blind confusion to blinding insight so far as Sebastian’s demonic origins are concerned. By now Sebastian looks like Baby Sinclair after he was involved in a tragic cooking oil incident, and his blood lust (and his desire to throw his nappies everywhere) has become insatiable. Couple this with the group of satanic doomsday prophets who are looking for Sebastian to use him in some rite or other, dear Veronica really has her work cut out for her. She’s aided by a policeman who’s constantly sucking on a lollipop, and her sister who has some serious issues that are never really explained to us. Will Sebastian spare his mother when the devil arrives to take over the world? Will Veronica ever stop running around the city and causing teen suicides? Will 20-somethings ever stop taking night hikes along deserted highways? All this and much less will be revealed when you watch 12/12/12.
LIFE’S LESSONS LEARNED:
- No one ever talks about Satanic monks.
- You can still give a woman an epidural even if the baby’s crowning… and then again when the baby’s half way out.
- You can still perform a caesarean section even if the baby’s half-way through the birth canal.
- IV equipment can be manually set to ‘murder’.
- You don’t need to provide any kind of anaesthetic before performing a C-section.
- An umbilical cord isn’t a weapon you should underestimate.
- Any woman can lose all her pregnancy weight by the time the hospital discharges her.
- It’s perfectly normal for a 1-week-old baby to have teeth like a piranha.
- Police protocol dictates that 1-week-old babies should be considered suspects in murder trials.
- Vaginal baby suffocation is still a serious problem in modern society.
- The custody of a child can just be thrown from person to person, willy nilly.
- 6 Vicodin will usually take care of the pain from a small cut on your thumb.
- Police always use their sirens to let people know they’ve arrived.
- You should always be on the lookout for perverted babies – you never know when one’s watching you in the shower.
- Strangulations are always more fun when your hands make whooshing noises.
- Police these days are almost always psychic – you don’t need to tell them where you when you call.
- Priests and homeless people are equally adept at spotting the Anti-Christ.
BUY 12/12/12 AT AMAZON.COM
WHAT IT’S ABOUT:
As a fun little fact before I dive into the review, this movie was originally meant to be a part of the Urban Legend franchise. Under the working title Urban Legends: Goldfield Murders, this was meant to follow on from Urban Legends: Bloody Mary before Sony bought back the rights to the franchise. It’s just as well really; while Bloody Mary at least tried to cling in there, amateur doesn’t begin to describe this movie. Maybe it’s because the guys behind it chose to go with a less universally known urban legend (I’d never heard of Goldfield or its supposed ghosts until I watched this movie. Some useful information can be found by clicking here), but all this movie really boils down to is 88 minutes of every clichéd ghost trick in the b-movie book. Don’t get me wrong, it’s a laugh a minute to watch, but when Kellan Lutz is your biggest draw card you really aren’t giving the audience much to work with.
After some thumping techno beats from the production companies responsible for this little cheese fest we’re thrown into a car full of horribly clichéd college students. Julie’s your typical ghost-hunting psychology major who’s deadly serious and in touch with the voices from the spirit realm. To balance out her intense blandness she chose Mike to be her jackass boyfriend. Mike’s just your standard scuzball college character who keeps pulling pranks and flirting with other females. In this case said female is Keri, the whiny spoiled girl bedecked in pink and who can’t understand why this ghost hunt can’t be a kick-ass party. She’s here with Dean, who there really isn’t much to say about since he just kinda hovers in the background and grunts disapprovingly when she flirts back with Mike. The group’s fifth wheel is Chad, the intelligent, sensitive beef cake who tries to look out for Julie and protect her from Mike’s general douchebaggery.
Julie and co. land up staying in the haunted hotel when it turns out that the motel she booked them into doesn’t exist. How this happened is never explained, so we just plow on with the story. Julie’s trying to make contact with Elizabeth, a prostitute who lived in the Goldfield hotel during the town’s gold rush. Elizabeth was supposedly murdered by the hotel’s owner and her 2-week-old child dumped down a mine shaft under the building. Julie wants to confirm the specter’s existence to see why she’s trapped and unable to move on to the other side. I never knew that ghost psychology was such a big subject in American universities, but you learn something new every day. How the group struggles for nearly an hour of the movie’s runtime to find Elizabeth is baffling since you can hear her whining ‘where’s my baby?’ in the background every five minutes, but who am I to question the director’s vision?
Suddenly, without apparent cause and only 20 minutes of movie left to go, Elizabeth decides to go balls to the wall and haunt the crap out of these kids. It starts out with some innocent possession to give Julie some flashbacks of what happened to her, but not long after the possessions lead to Mike and Keri making the beast with two backs on a dusty couch. Not content with a supernatural orgasm, Elizabeth decides that the next step is to kill all of the kids as quickly and brutally as possible, all supposedly in the name of finding her baby. How this ties in with the baby is another of the movie’s great unanswered questions, but I didn’t feel like dwelling on it. Julie has some mysterious connection to the old hotel and to Elizabeth’s ghost, and she’s the only one that can end the bygone hooker’s reign of transcendental terror. The question, however, is whether or not Elizabeth is the only ghost in the hotel and whether putting her to rest will really solve all of Julie’s problems.
LIFE’S LESSONS LEARNED:
- Girl-on-girl action is cheaper than trying to get a man involved.
- The sound of the car engine exploding doesn’t usually herald good news.
- Bartenders in ghost towns don’t serve up fancy cocktails.
- It’s rude to speak ill of the slutty dead.
- One woman’s brutal torture and murder is another woman’s cheesy, torch-lit ghost story.
- A man must be very well endowed if he can have sex with you through his jeans and yours.
- It’s very inconvenient when your boyfriend’s penis accidentally slips inside your best friend.
- Some guys won’t screw dead chicks; even douchebags have standards.
GHOSTS OF GOLDFIELD TRAILER
BUY GHOSTS OF GOLDFIELD AT AMAZON.COM
Year of Release: 1987
IMDB Rating: 2.7 / 10
Level of Awful: High
WHAT IT’S ABOUT:
When I first discovered the joys of buying b-grade movies in bulk this was one of the first movies I ever took out of the box and watched and, admittedly, have seen far more times than any individual ever should. Not being a great fan of the werewolf sub-genre I’ve never seen any of the other Howling movies but, from what I’ve gathered, it was all pretty much all downhill after the first one. If it got worse after this I really don’t know how they managed it. The concept is just plain daft, but not daft in a good way. On the up side, at least we get a rare opportunity to understand how werewolves, like any other species, evolved and adapted to suit their particular niche in the world. Good on Nicole Kidman for saying no to the lead role!
Deep, deep in the barren wastelands of Australia’s outback evolution has decided to give the human race the finger. For many years we’ve all suspected that werewolves walked amongst us and wondered why some of our friends can never meet for drinks on a night when there’s a full moon. What we didn’t suspect was that different varieties of werewolves existed, each specially adapted to its natural environment. Here, in the outback, a very special variety of werewolves has existed under the noses of us humans: the marsupial werewolf. Like the kangaroo or the koala the female marsupial werewolf has a pouch on her stomach where the embryonic baby climbs into a few weeks after the mother became pregnant. They tend to live in little family groups, most often headed by an alpha male and several subservient females. This is where our tale of a little marsupial werewolf with a big dream begins…
Apart from her pouch and the fact that she’s never known a world outside of her little clan Jerboa is your average young woman bursting with dreams of a better life. As she has now come of age the alpha male has had his eye on her and the other women have every intention of holding her down if that’s what the situation requires and Jerboa just isn’t that kind of girl; she wants to see the city, the lights, the Sydney Opera House! So off she runs one day, catches a bus and makes her way to the big city. Now the city can be a strange and dangerous place to an innocent young woman like Jerboa so it’s very fortunate that she runs into Donny who offers her the lead role in a new horror movie called Shapeshifters. Not knowing what a movie is or what the hell she’ll be expected to do Jerboa agrees anyway because this is one of those situations where it’s love at first sight and they can’t stand to be apart and so on and so on and so forth. If only life could be that simple…
Turns out that the pack Jerboa ran away from isn’t too wild about the fact that they’ve lost a female capable of breeding so somehow they manage to dig up three nuns’ outfits and send three of the women off to Sydney to track her down and bring her back home. The problem with this is that Jerboa and Donny have already done the deed and she currently has a little rat-like creature in her pouch just waiting to grow into something resembling a human. The only choice for the young couple? Make a mad run for it. Fortunately for them they won’t be doing it alone; on their side is Professor Beckmyer, a man obsessed with discovering the true nature of the werewolf and the injustices they have suffered at the hands of mankind, Olga, a Siberian werewolf who wants to mate with one of the marsupials to try and strengthen the bloodline (marsupial werewolves having the advantage of not having to carry their offspring to term) and Thylo, the alpha male of Jerboa’s pack, who escaped when the US government rounded them all up. All they have to do now is hide out in the wilderness and wait for a time when the world will be more accepting of their kind.
LIFE’S LESSONS LEARNED:
- Horror directors will allow any old creature to star in their movies.
- In Australia any old creature can win a Best Actress award.
- Strobe lighting brings on a whole other kind of epilepsy in a marsupial werewolf.
- Young men are not at all disturbed when they find out the girl they fell madly in love with yesterday has a pouch.
- Young men won’t think twice about running off into the bush and abandoning their lives for said woman with a pouch.
- Just because it’s a werewolf skeleton it doesn’t mean it can’t still attack you.
- No ballerina’s outfit will ever make a werewolf look pretty.
- With time the Vatican will be shown to be tolerant of virtually anything.
HOWLING III: THE MARSUPIALS TRAILER